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Tuesday, July 10, 2012

Double Dose of HARRY FRAUD

There's not many new school producers that manages to impress me these days; but one definite exception is Brooklyn's Harry Fraud. Together with Tommy Maas, he's the producer of one of this year's hottest free albums; Meyhem Lauren's "Respect The Fly Shit". The LP's been out for a while now but it kept slipping my mind, so I'm using this opportunity to bring it out for anyone who might still be asleep.



At the same time, I'm using this post to hit y'all up with another Harry Fraud produced free project that just hit the net. "Cigarrette Boats" is a 5-track EP by Curren$y, completely produced by Fraud. Not as crazy as the Meyhem feast above, but still worth a listen. Includes cameos from Styles P and Smoke DZA.






CURREN$Y x HARRY FRAUD - "CIGARETTE BOATS"

Monday, July 9, 2012

eLZhi - "Blue Widow"

Detroit's most lyrical might not be a part of Slum Village anymore, but he's still knows how to cook up crazy hot tracks. "Blue Widow" is the title of his latest opus, which was liberated via XXL Magazine earlier today. Bronze Nazareth used this sample for Hell Razah's 2006 classic "Millennium Warfare" which had me totally addicted for quite some time, so it's good to hear eL breathe some new life into it. "The Weather Report" is the title of the former SV emcee's forthcoming long player. Download via 2DBZ.

eLZhi - "BLUE WIDOW"

[VIDEO] The Purist + Roc Marciano - "Change"


Almost exactly two months ago we heard the excellent "Change" where UK based producer The Purist enlisted Roc Marciano for some always dope vocals. Now the official video is wrapped and ready, directed by Lyle Lindgren, and if you're looking to get your hands on this joint on vinyl or in HQ MP3, head over to King Kong Holding Company and grab a copy of the "Double Feature E.P.".

Sunday, July 8, 2012

[Exclusive Interview] BIG SHUG Pt. 1

The Lost Tapes might not be best known as an interview site at the moment, but things are about to change with some exclusive interviews coming in a near future. You might remember my interview with Rasheed Chappell and Side Effectz; but this time it's none other than Boston's legendy OG Big Shug that's under the spotlight. The original Gang Starr Foundation member is about to release his fourth official album "I.M. 4-Eva"  on July 24; so much of our conversation dealt with the upcoming album, but there's of course also some room for some exclusive news and questions as well; after all the phone call was 30+ minutes long, and I gotta give major thanx to Shug for his patience and taking the time to answering all the questions in depth. Very humble dude for sure! Another major thanks goes out to my man Mal Moe for hooking up the interview! I highly doubt Big Shug need much of any further introduction, and if you got any questions hopefuly they will be answered in the interview. One last thing though; since it's quite a long interview I decided to split it into two parts. Without any further due, here is claaa7's / The Lost Tapes interview with the one and only Big Shug. Part two will be posted very soon so stay tuned. Here Shug will shed some light on future projects, his working relationship with DJ Premier (including news on a planne full-length album soon to come), tour plans, a slight trip down memory lane, and much more. So until then, enjoy Part 1, I doubt you'll be dissapointed!
c7: Your new album is called "I.M. 4-Eva". What should we expect from the LP as far as concepts, style, guests, and so on?

Shug: "I.M. 4-Eva", as each album, is growth. You know songs gonna be a little deeper [than on previous records]; that's the evolution of me as an artist. Also, you got a couple of hardcore shit that I do, As far as guests, I have my son Trumayne on the album; a collaboration with Fat Joe and M.O.P.; and also another collaboration with Slaine, Reks, Termanology and Sinapore ["For The Real"].

c7: A lot of Boston artists represented on that cut in other words? 
Shug: What it is is, I mean I'm the godfather of where I'm from you know - Boston, but I also expand worldwide so... I always try to bring along cats on that level. But I'm also good friends with New York rappers as well, so it could've just as esaily been Busta and Common you know, but everything happens for a reason at a certain time. You might hear something from me and those giuys collaborating in the future though.

c7: What producers are featured on "I.M. 4-Eva"?

Shug: Like I said the album here is about growth, and there's a lot of strong songs on it. There's three or four songs produced by DJ Premier, and then my in-house producer Kid Called Quest, also known as Jay Quest. He's an up-and-coming producer, who was on my second album and I continued to work with him and we've kept evolving together. He produced most of the album.

c7: Your two preceeding albums were in large part produced by MoSS. I was a little suprised that I didn't see him in the credits list this time. What was the reason for this?

Shug:  Actually MoSS was involved in all three of my previous albums; "Who's Hard", "Street Champ" and "Otherside Of The Game". I guess it was more a decision on his behalf, on my last album I had a couple of songs from him, but after that I wasn't really dealing with him; I mean he was doing some other things and we kept it moving, so that's how that happened you know.

c7: So there was no conscious decision on your part not to include him in order to switch up your sound for the new album?

Shug: Nah, I would've loved to work with him, but like I said he was doing other things and he wasn't accessible for whatever reason.
c7: Ok, back to what's actually on the album then; what's your personal favorite record on the LP and why?

Shug: There's a lot of good ones, [the single] "Still Here" is one of them because it represents the fact that I'm still here, doing my thing and banging it up; although it's more of a new school type of beat.

Also "Blue Collar Dollar", because hip-hop, well underground artist, struggle and got real hard work, so that's more of a reality type of track, you know, how life is so to speak.

You know, there's a lot of good ones; my son rapping on "No More" was special. Because he's been like a little rapper kid in the studio with me since he was like three, so I had to get him on the project now, being eleven. He's 12 now but we recorded that right before he turned twelve. So it's great just having him on there.

c7: Another track that I want to touch on is the DJ Premier produced "Hardbody", featuring Fat Joe and M.O.P. That's definitely one of the songs people been buzzing about since the tracklist was first announced. What was that vibe like and what can we expect from that record?

Shug:  "Hardbody" speaks on our lifestyle; you know, me, Fat Joe and M.O.P. all come from that hard side of life, so we represent that in the song. That's why we got those guys for the record; we're all OG's and all represent that hard side. Even though Fat Joe makes pop records or whatever, you know, I've known him since I first came to New York and I know that he's one of the realest cats out. We're all friends too, and it makes for a good song with everybody bringing it, so that's what it is, you know, hardbody!

c7: You talked about growth on the coming LP, how would you say your music has evolved with each album so far?

Shug:  I mean, each album represents growth  because you never stay where you at. Otherwise your music can tend to fall off or dissapear. I continue to evolve because I'm in the game, and I do verses for people all over the world; 16's for hire, you know, so I keep myself alive everywhere, and this albums reflects that growth, as do all of them, you know. Further down the road I'll probably do an album that's a singing album too. But right now, "I.M. 4-Eva" is the next power piece, and that's what it is, in the legacy of Big Shug.
c7: One of the best tribute tracks I've ever heard is yours and DJ Premier's touching letter to Keith Elam in "We Miss You", that will appear on "I.M. 4-Eva". What was that recording session like?

Shug: Well, you gotta remember that me and GURU started this whole thing together. I actually taught him how to rhyme, and we hung out and we grew into this, you know what I mean. When he passed, I heard about it, and everybody threw out these songs, and I never would have thrown a song out just like that, because I probably knew him better than anyone. That was just the way we came up.

Premier actually did the track and sent it to me, and I just went in, you know. Actually I sat in my vehicle and played it for myself, and sat and started writing which is very easy to do in a situation like that. The song could've been half an hour long, because that's how far back we go. You know, it was just real emotional because my man was gone and I know I will always miss him, You kmow when we started out together, we used to both sing and rap. Of course, I was the stronger singer but he could hold a tone too, so that was our forté.

So when I'm singing [on the song], I was able to spit stuff we went through when we came up, and when I'm singing, I'm singing to him. That's why when you listen to how it sounds, it disembodies the whole thing, because I'm singing, and I'm a pure singer as well, you know what I'm saying. And I'm also, of course, singing on the song as the pure singer i am.

c7: It's a beautiful record, and I learned a lot from it, and overall it's a huge and very important track.

Shug: Yeah, that's what it's about man!


[Mixtape] Nutso + DJ Skizz - "Mr. Collabo"

Queen's emcee Nutso (formerly Nut-Rageous) are responsible for several dope records; mainly his record with Freestyle Professor's Branesparker, and his rare 2xLP solo album "Rawnuts (The Best Of Nut-Rageous)". He was also recently featured with a monster verse on the memorable posse cut,. "Galaxy Of Queens", with CNN, Royal Flush and Tragedy Khadafi.

DJ Skizz is a Queens based DJ/producer/Haftime Radio Show co-host, who I first encountered on his excellent mixtape "Kings From Queens" some three months ago. Not these two artists have cooked up a free fourteen tracks mixtape/albm that, although I haven't had the time to listen to yet, clearly sounds GREAT on paper. Guests on "Mr. Collabo" include Blaq Poet, Ruste Juxx, Red Eye, Shabaam Sahdeeq, Dom Pachino, Sadat X, Punchline, Kool G Rap & Necro and many more. Do yourself a favor and make sure you check this out!1

Saturday, July 7, 2012

12" Throwback: MILANO - "Show 'Em VLS"

Right before D.I.T.C. dropped their amazing '99 debut "Worldwide", Rudy Mogan (better known by his stage name Milano, sometimes Milano Constantine) was taken under the wings of the D.I. producers, especially Lord Finesse and Showbiz. Now, more than ten years later, he unfortunately has yet to release a proper retail album (not counting 2009's free mini album "Sidewalk Stories)". However, he became an honorary member of D.I.T.C. and appeared on no less than two songs on "Worldwide" alongside Big Pun, Cuban Link and OC. In 2000, Morgan released his masterpiece of a debut single, "Deal With A Feeling" B/W "Rep For The Slums". The single didn't make that much noise, though it got played on a lot of underground stations and was beautifully produced by Showbiz and Amed, respectively.

When D.I.TC. temporarily disolved and changed their name to Wild Life Entertainment, Milano became a full blown memeber of the new crew; dropping hot 16s on several slamming 12" releases such as "Rap Game / Wild Life Theme" and "Done in Vain". The latter was released in 2005, and so was the Show produced "Hope You're Listening", and it's immediate predecessor "Show 'Em", a three track EP, that showcases Milano's distinct flow and sharp lyrics over production by Lord Finesse, Showbiz and T-Ray. Not to be slept on in other words, so make sure to check it out below...

I'm not sure about the following, but some time ago rumours said that Milano was no longer a member of either D.I.T.C./Wild Life after a falling out with Lord Finesse and Showbiz. This might just have been rumours though, and if not everything seems to have worked out in any case, considering he used two Show tracks on his official 2009 release "Sidewalk Stories". And even more, his recently released "The Hurt Locker Mixtaoe" both carries the DITC logo and is largely produced by Amed. Look out for that one here soon as well! Last but not least, major thanks goes out to my man Ant for the hook up of the "Show 'Em" EP. And in case you missed it, you should of course check out my Milano ccompilarion, "BarBury'n Wildlife"! Download, enjoy and TURN IT UP!!


01."Show 'Em" [Street] (Showbiz)
02. "Show 'Em" [Instrumental]
03. "Morir Sonando" [Street] (Lord Finesse)
04. "That's Milno" [Street] (T-Ray)
05. "That's Milano" [Clean] (T-Ray)
06. "That's Milno" [Instrumental]

MILANO - "SHOW 'EM" VLS

[Article/EP] NAS - "Life is Good" -A Recap-

I have not yet had the pleasure to listening to the album in full, but so far I've had the chance to listen to six or seven of the mastered LP cuts. So far, so good; anyone familiar with Nas knows that the last thing about him is that he never keep his music boring and predictabpe. There's elements of soul, R&B, gospel and of course loads of booming hip-hop, which, not suprisingly is in the forefront throughout the disc although it often branches out. "Life is Good" might not be Nas' best album, but I can't imagine it could end up as his worst either; besides the singles represent a lot of change, it's clear that he can still bring that true school sounding boom bap that will satisfy his longtime fans. Like the majority of Nas' back catalouge, the seven cuts released from the QB emcee's latest opus follows tradition, with a great blend of hardcore joints a´la the '90s (especially on the street singles "Nasty" and "Loco-Motive"), and more laidback and reflective cuts. From what I've heard so far, Nas is staying true to the grittier side of the 2012 sound, with a few banging throwback records sprinkled throughout its runningtiem. Fans and critics alike from both the US and EU has praised all four original singles, since the first was release in December last year; "Nasty" clearly is a track that both brings it back to were it stated, and is impossible to shake off once you first comes across it. As Esco takes it back to an intense, crazy cut with the emphazis on RAW; "Nasty" is slightly reminiscent of "Made You Look", and Nasir does a fantastic job bringing it back to his old school roots; without coming off ass a clihé; the same goes for Nas who absolutely killed three already memorable verses. 
The next single, the ragga-influenced ""The Don" is more of a club track, yet it maintains a lot of integrity, making it suitable both for clubs, the vehicle or even your home stereo device. Salaam Remi is the credited producer with Heavy D and The Internz, so it's likely that Remi put the the finishing touches on the song after the fact, as Nas boost "Heavy D gave this beat to Salaam for me to rap too!". "The Don" is one of Nas' most succesful club records, and althoug, there's a lot of producers involved it doesn't sound cliché or forced at all. Long time Nas affiliate Remi (who has produced at the very least one song each on all Esco album since "Nastradamus") was involved in both first singles from "Life is Good". Not that suprisingly considering Remi's and Nas extremely underrated chemistry.
The next two single follows a similiar path, and are equally mindblowing as its predecesors. Veteran super-producer No I.D. handles work on both "Daughters" and the aforementioned "Loco-Motive". The firstmentioned is a more somber, laidback and effective joint; with a ill piano sample that has Nas touches on how his little girl, Destiny, is becoming a woman, taking an interest in boys, dressing as she like and so on. Definitely a track that parents with children of that age can relate to, and it's an overall great track. "Loco-Motive" reminds me a bit of "NY State Of Mind" in No I.D.'s production which is fitting considering how it's all about taking it back the '90s, sample based boom bap era; complete with ad-libs from Large Professor. I can definitely see this being mentioned as one of Nas' true classics in the future. About two weeks ago, another single was released from the project - "Accidental Murders", featuring bitch asss Rick Ross, I don't have a program to edit out his verse, but I included it anyways since it will appear on the album. It's a pretty tuff joint to say the least, Escobar style.
The next two joints have just leaked and I'm not sure whether or not they are official singles, or simply leaked; i know that "Cherry Wine" with Amy Winehouse was released to the radio, and only a couple of days later the Mary J. Blige assisted "Reach Out" hit the net as well. Since they both soon appeared in CDQ, I take it as official singles and decided to include them. "Reach Out" features the queen of hip-hop, and is produced by Queensbridge legend DJ Hot Day, together with Remi and R&B producer Rodney Jerkins. The track is definitely not your typical R&B-radio jawn; rather Hot Day makes use of one of the most classic samples hip-hop has ever heard, sampled by everyone from Tragedy Khadafi and Doug E. Fresh/The Furious Five & The Cold Crush Brothers to Foxy Brown and Mary J. Blige, DJ Hollywood's "Hollywood's World". Nas and Mary sounds fantastic over this gem, and it's great to hear Hot Day back in business. The final recent leak is "Cherry Wine", featuring the late, great Amy Winehouse, and I believe that this is the third time Nas, Amy and Salaam Remi has cooked up some heat. It's a laidback cut, and I long said that Winehouse's voice is one of the best and strongest in the industry, so I can't possibly hate on this joint. I wonder if this is from the same recording sessions as the Nas/Amy collabo that appeared on the singer's posthumous LP "Lioness". Whatever the case, it's another relaxing cut that to me is kinda reminiscent of one of my favorites from "Hip-Hop is Dead"; "Can't Forget About You".
Over the last few years, especially Salaam Remi has cooked up classic safter classic for Nas, and since he first appeared on a Nasty album in 2001 his contribution(s) has always been highlights of the LP. No I.D. is of course, not only one of the most prolif producers of our time, but also one of the best who still hasn't got the rightfull props he deserves. although he's of course a respected producer. Here the two main producers prety much equally split the albums production credits. The album is available everywhere, starting July 17, and will be the last Nas album to be released via Def Jam Records, and after hearing the singles and read the tracklist, this is a definite purchase for me. The additional producers to get their shine on "Life is Good" is, the almost always reliable J.U.S.T.I.C.E. League, who lends a helping hand on the intro; legendary Queen's DJ Hot Day as mentioned above; Young Money producer Noah #40" Shebib even adds some additional work on the final cut; Swizz Beats got one placement, and last but defintitely not least the one and only Buckwild gets a sole production credit for his work on "You Wouldn't Understand". Judging by the singles/leaks and how this looks on paper I have very high expectations for "Life is Good". A line-up of No I.D. and Salaam Remi with additional contributions by Buckwild, JUSTICE League, DJ Hot Day, Rodney Jerkins and Noah "40" Sheibb combined with one of the best emcees in the game can hardly go wrong..
Seven tracks have now leaked, and the album only features fourteen tracks, not counting the Deluxe Version. The biggest mistake is that the one track that EVERYBODY loved; "Nasty", is left as only a bonus track on the aforementioned Deluxe/iTunes version which is a real shame which means that it most definitely will not appear on the vinyl release. Don't you just hate when they save some of an album's absolute best songs end up as a bonus cut,. FUCK THAT!! No matter what, this album got enough heat to warrant a buy either way, and I strongly encourage you to do the same. 'Til then, enjoy the leaks but make sure you don't play them out before the release. Enjoy brothers!

[Tracklist/Info] DJ BRANS - "The Branstorm"


DJ Brans is a producer and turntable wizard, who through recent years, have got gor some major placements on mixtape including Nutso, Vinnie Paz, Alibi Montana, Dirt Platoon and a few others. Now he's heading into the solo lane with his debut album, with the fitting title "The Branstorm"; hoever when the  Effiscienz imprint. 
The LP consists of nineteen tracks,featuring nineteen artists. Cameos are handled by legendary emcees suh as Blaq Póet, Armageddon (!), Meyhem Lauren & Gab Gotcha, M-Dot, Dirt Platoon, Shaz IllYork,+Jaysaun, and more. Powerful production, heavy verses and 1200's turntable work.seals the deal; this is 2012 true school at it's finest as far as producer album goes. 

Check out  two more videos from DJ Brans from the forthcoming album; "Megatron B-Boys" featuring Spit Gemz and Shaz Illyork; "Worldwide" with M-Dot and Armageddon. I'm pretty sure you'll enjoy all these songs, and as I mentioned earlier the album is already out; head over to iTunes for the digital download or order it on CD directly from the label.

Friday, July 6, 2012

[TRACKLIST] Brutal Music Presents "Diggaz With Attitude"

A year or two ago, Stu Bangas and Eric Vanderslice formed the production duo/publishing company Brutual Music, who released (and produced) Blaq Poet's latest LP; "Brutual Music". Together they have laced hot joints for peeps like Heltah Skeltah, Reef Tha Lost Cauze, Vinnie Paz, Apathy, Slaine, Army Of Pharoahs, Outerspace, Termanology and Hell Razah & Shabazz The Disciple as THUG Angelz, Now they are taking on a full-blown solo project to be released late this summer, "Diggaz With Attitutde", set for an August 28 release on Man Bites Dogs Reocords. Packed to the max with crazy US guest features so keep an eye out for this; first single should arrive soon!

01. "Intro" [prod. by Vanderslice]
02. "A Word From The Ghetto Child" (Ft. Smiley Da Ghetto Child) [Vanderslice]
03. "Half Dead" (Ft. Apathy, Roc Marciano & Planet Asia) [Stu Bangas]
04. "Pharoah Status" (Ft.. Esoteric) [Stu Bangas]
05. "The Gusto" (Ft. Apathy, Roc Marciano, Alchemist & Evidence) [Vanderslice]
06. "The Brutual Music Collection Agency" [Vanderslice]
07. "Okay, Player" (Ft. Wais P) [Vanderslice]
08, "Death Wish" (Ft. Ill Bill, Blaq Poet & Wais P) [Stu Bangas]
09, "Extened Mags" (Ft. Outerspace) [Vanderslice]
10, "Spyhunter" (Ft. Blacastan) [Vanderslice]
11. "The Van Sleazy Extravaganza" [Vanderslice]
12. "Casino Royale" (Ft. Apathy & Blacastan) [Vanderslice]
13. "1st Degree Murder (Ft. Vinnie Paz, Roc Marciano & Celph Titled) [Stu Bangas]
14. "The Realest" (Ft. Slaine & Ill Bill) [Stu Bangas]
15 "Vikings" (Ft. Apathy & Wais P) [Stu Bangas]
16, "Black Lung Rap" (Ft. Reef The Lost Cauze) [Vanderslice]
17, "Thank You & F*Ck You" [Vanderslice]

Thursday, July 5, 2012

Snowgoons Ft. Ghostface & Killah Priest - "The Cypher"

"Snowgoons Dynasty" is the title of German production crew The Snowgoon's new album which drops on July 17. As usual, in cases with The Goons, the tracklist is stacked with dope guest emcees which warrants me to at least give it a listen. I'm really feeling the single "The Cypher" featuring Tony Starks and Killah Priest, who both sounds great over this beat, along with Aspects and Swisha T.