When Cappadonna first got out prison and made his first recorded apperances on Raekwon's "Ice Water" and "Ice Cream" in '95, followed by no less than five songs than Ghostface's "Ironman", he absolutely blew the collective mind of the hip-hop community - his 54 bars verse on ""Winter Warz" still stands as one of the greatest verses of all time. In short Cappadonna was one of the most promising new emcees in the industry around this time, and apparantly he is responsible for having learned the basics of rhyming and freestyling to a lot of the Wu generals back in the early days. But then something happened, on his five apperances on "Wu-Tang Forever" he sometime came off-beat, sometimes made little to no sense, and sometimes was as brilliant as ever. This continued on his '98 debut album "The Pillage". However, with enough incredible verses and his unique flows coupled with no less than seven outstanding RZA beats, five True Master bangers, and additional potent head knockers by 4th Disciple, Allah Mathematics, and Goldfinghaz, "The Pillage" was a remarkble debut album that today has gained a well deserved cult-following.
However, his 2001 follow-up "The Yin & The Yang" often considered as one of the absolute worst albums in the 60+ discography of the Wu-Tang Crew.. The production by the original Wu-Tang Elements producer was here replaced by Jermaine Dupri, 8-Off a.k.a. Agallah (who is a dope producer indeed), Neonek, and Inspectah Deck, The two producers who reprised their role from the predecessor is True Master and Goldfinghaz, on the single "Super Model" (above) and "Love is the Message" (Ft. Raekwon). Not suprisingly these are the albums only good songs, a long with 8-Off's lone contribution "The Grits". Not only are the vast majority of beats embarassingly wack, but the majority of Cappadonna's performance is equally bad. However, the project could have been a lot better and less embarassing if things had played out a bit differently.
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